**Classic hits filmmaking competition information (2017) is at the end.
“Tell me what you think about before you write a Grammy Award winning song.”
Bernie looked out the window. “I’ll have to tell a story first.”
Maxine pressed the red button on her voice recorder.
Bernie’s eyes moved back to rest on Maxine. “My adoptive parents got me when I was fourteen. I was a dark haired Crow boy suddenly mixed in with a bunch of white, blue-eyed farmers.”
“My mother knew that I was lonely and floundering. She bought me my first guitar and sent me to music lessons. The teacher wasn’t much help. But I’d take that old guitar out in back of our place through the corn fields to a big oak tree where I’d sit and practice.”
“One day there was a woman there. She was beautiful; blonde, full-figured with long legs and huge….” Bernie grinned sheepishly.
“She was sexy but I still didn’t want her there. She stood, at least, a head and shoulders taller than me.”
“’What’s your name kid?” Her voice sounded like a frog with sandpaper caught in its throat. “Bernie doesn’t sound like a Cherokee name,” she commented after I’d told her.'”
“I shrugged my shoulders flippantly. ‘You don’t know squat about Cherokee…or C-R-O-W.'”
“She kicked at the dirt. She said that her nickname was Tiny and that it was a bad family joke. She also said that she’d heard me mutilating my guitar. She’d come to help… and to wait for the words. She looked at the tree strangely while patting its trunk.”
“We met every day for the rest of summer. She showed me things that my guitar teacher never did. I learned that she’d been a music teacher and that she came back to the tree because ‘she got lost sometimes.’”
“When I asked if my parents could hire her to teach me, her eyes blazed and she spoke harshly, ‘If you say anything about me, they’ll never let you out of the house.’”
“As the weeks passed, Tiny taught me to say what I was feeling with music. Then I reached a block. By this time, I was in full-blown lust – or in love with her. One afternoon when we were getting nowhere she yelled, ‘What do you want?’”
“When I didn’t answer, she stepped closer and asked the same thing again, quieter this time.”
“Before I realized what I was doing, I blurted, ’I want to hold you.’”
“I would have curled up and died on the spot if she hadn’t been smiling. She told me to close my eyes and follow her directions. So I did.”
“She told me to imagine that the guitar was her – to run my hands over its surface, to feel its curves and to let my fingers stoke the strings. ‘Hold me closer,’ she’d say, ‘Then let the music sing softly and slowly.’”
“She broke through my wall. After that, she’d bring her guitar and we’d make music together – until fall came.”
“I remember the last time I saw Tiny. A cold breeze was blowing at sunset. I heard melody she played through my open window. It sounded crazed. When it stopped suddenly, I knew that I had to go find her. As I ran through the dry stalks of corn. I saw her guitar lying on the ground. I jumped over it, running faster. When I found her, she was barefoot, shivering and unresponsive. I was terrified. Eventually, I screamed, ‘Tiny! What do you want?’”
“At this, she paused, turning toward me. ‘I just want to go home.’”
“Suddenly, we were both crying. I said, ‘Me too!’”
“She reached out a hand to cover my heart. ‘The difference between us, Bernie, is that I am yearning for home, but you are already there.’ Then she kissed me.”
Bernie reached up to trace a finger where Tiny’s lips had left an invisible mark.
A sad expression settled on his face. “A full moon rose up behind the bare branches of the oak tree. I didn’t realize, until later, that all its leaves had been there the day before. When she reached it, Tiny started running her hands all over around the trunk.”
“’What are you doing?’”
“’I’m looking for the words. They have to be here!’”
“’Tiny, stop!’ I cried. She didn’t answer but kept frantically searching. ’There it is!’ she sighed, ‘I knew you’d show me the doorway sooner or later.’ She leaned into the tree hugging it like a lover.”
“‘You won’t be seeing me again,” she said over her shoulder.”But I’ll always hear you….” she paused, waiting for me to fill in the space.
“I couldn’t get anything out around the lump in my throat. I knew that she was waiting for me to tell her my Indian name.”
The unexpected silence that followed Bernie’s last statement was stifling.
Maxine blinked. “That’s it! What happened to her?”
Bernie shook his head while reaching for his guitar, “That wasn’t part of the question.”
Maxine watched as he traced the contours of the tool that had millions of fans singing and humming his haunting tunes.
With eyes closed, he began to play and speak, “My Crow name is, Still Water Dancer.”
A soft, lilting melody filled the room. “My guitar is named after my muse, Tiny.”
Maxine leaned toward him, waiting for THE scoop of her career.
“Before I write one word or play one note, I say to myself, ‘Hold me closer Tiny Dancer.’
Bernie winked playfully.
This short story was written for a 24 hour Writer’s Weekly writing contest. All or part of the prompt (listed below) could be used. The background and history of Elton John’s Tiny Dancer classic was woven into the story theme.
Story Prompt: The barren, tan corn stalks behind her snapped in the cold evening breeze, the only sound louder than the dry, fiery red leaves swirling around her tiny, shivering bare feet. She’d lost her bearings again and she hoped the dinner bell would ring soon. A gray tree with endless arms and fingers, devoid of any remaining foliage, loomed before her. She gazed at the odd markings on the trunk, which appeared to outline a hand-cut door of sorts. And, as she stared, it opened…
2017 – 50th Anniversary Celebration of Elton John & Bernie Taupin partnership – Directors & filmmakers – compete to win a chance to make the official music video for Tiny Dancer, Bennie and the Jets, or Rocket Man. Learn more here: https://thecut.eltonjohn.com/